Killer crime novel: The Cuckoo’s Calling – by Robert Galbraith (J.K. Rowling)

Crime Fiction

Cormoran Strike, ex-army investigator and illegitimate son of a rock star, struggles to find work. His fortunes turn when he’s asked to investigate the suspicious death of a fashion model. Although Strike is fairly certain the investigation will lead nowhere, he needs the money so takes the job. Delving into the model’s life, he is left largely unfazed by the wealth and fame, determinedly ploughing on with his search for answers.

A likeable, rough and flawed protagonist; vivid descriptions of London neighbourhoods; an enthralling ‘whodunit’ trail – The Cuckoo’s Calling has the ingredients to be an enticing murder mystery, despite my indifference to the genre. By the end, I loved the book; hooked and desperate for all to be explained. Forgive the cliché, but I couldn’t stop reading it. However, I was not so engaged from the beginning; in fact, it took me a while to read the (admittedly thick) novel.

Nonetheless, the book is easy and enjoyable to read; it ‘flows’ well. The plot is intriguing, magnetic – a common feature of crime fiction. Its characters are credible, interesting and ‘human’. The exception to this is the overblown mystery surrounding Strike’s relationship with his ex-fiancée Charlotte. Resourceful and grounded Robyn, Strike’s temporary secretary and ‘accidental’ assistant, balances the occasionally moody and impulsive protagonist, although she isn’t given much of a voice.

Overall, The Cuckoo’s Calling is a great read, especially suitable for murder mystery enthusiasts. Those who aren’t such big fans of the genre might still enjoy the skilled writing and intriguing characters.

My Ratings (out of 10 As):

Plot/Story: AAAAAAA (7)

Writing: AAAAAAA (7)

Pace: Medium

Buy at Waterstones (UK)

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Buy at Barnes & Noble (US)

Buy on Amazon (US)

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A change from Harry Potter: The Casual Vacancy – By J. K. Rowling

Tragicomedy

When Barry Fairbrother – a popular and ambitious councilman – dies unexpectedly, Pagford is left in shock. The ostensibly quaint, idyllic town, with its ancient abbey and cobbled market square, becomes increasingly chaotic as the mad scramble for the empty council seat turns nasty. Deep-rooted resentment and discontentment fuels teenagers to turn against parents, and incites wives to desert their husbands. Issues that had previously been kept at bay threaten to divide the town, as anger and passion overwhelm some, and the disparity between generations and classes becomes increasingly palpable.

I was riveted by this book, despite its length and relatively mundane premise – perhaps this was because of its ‘closeness to home’: I related to many of the characters; Rowling’s satirical reflections on suburban life are accurate, if not stereotypical. Written in split-narrative, the book relates to all readers: the narrators are of different classes, ages and personalities. The interplays and contradictions that the reader is given is intriguing and often humorous; when characters describe each other, you’re reminded of the gap between the outward and inward ‘selves’ that people have. Overall, it’s a good book, and I enjoyed reading it, however at times I felt it dragged on a bit.

Readers who enjoy a slow paced book about everyday life, as opposed to an other-worldly plot, would enjoy The Casual Vacancy. They would also like it if they like books that don’t have a grand plot; The Casual Vacancy is based on everyday life in the suburbs: familial relationships and social interactions amongst townspeople.

My Ratings (out of 10 As):

Plot/Story: AAAAAAA

Writing: AAAAAAA

Pace: Slow

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Buy at Waterstones

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