Letters Home – by Sylvia Plath


TW: Depression, suicide.

Everyone knows the story of Sylvia Plath: the successful poet who tragically committed suicide at the age of thirty, her children in the next room. You’ve probably read her semi-autobiographical novel, The Bell Jar, too. Letters Home, however, offers an entirely different perspective on her life. The collection of her letters spans her time at Smith College until just a week before her death. Since most of the letters are to her mother, and the collection is highly edited by her, the tone is generally more optimistic and the content more everyday than the author’s creative work. (My edition is from 1975 and was highly edited by Plath’s mother. Later collections of her letters, including the most recent volume, published in 2018, include a wider array of letters and cover a longer time period.)

The book cover proclaims that the collection “builds with the intensity of a novel.” This is true in some sense — it’s gripping and entertaining throughout. But that’s not what makes it special. Unlike with most novels, you already know how Letters Home will end. Yet far from spoiling the shock, it supplements the reading experience with a darker under-layer: however happy she may seem, you can’t help remembering that it won’t last. As Dan Chiasson writes in The New Yorker, “The experience of reading these letters, even at their most joyous, cannot be separated from what we know is coming.” In many of her letters, she describes contentment that few enjoy. So how did things get so bad? Or were they never perfect to start with? This kind of nuanced, skeptical reading of biographical texts is rare, and makes for a more interesting and insightful experience.

The letters also strike a great balance in their content, neither excessively navel-gazing nor focusing too much on the day-to-day. Perhaps that is the advantage of being written in the present rather than in retrospect (which Plath never had the privilege to do). Regardless, the book is satisfyingly readable — I’ve near read a non-fiction book with such ease.

In a sense, the book recreates Plath’s suicide in the abrupt end to the letters. There is no final, satisfying ‘goodbye’ letter at the end of the collection; there is only a brief note by her mother. As a result, you experience the effects of her death almost in real time, and mourn the loss of Sylvia from your own life: since you receive her constant commentary in the form of letters for the entirety of the book, it feels as though she has stopped writing to you. This creates the visceral sense of a life cut short. This is amplified by all of her plans which never came to fruition, making you mourn, too, all that could have been but never was.

Letters Home prompts you to realize that mental health issues affect many different people, and often remain hidden, expressing themselves in varied ways. In the midst of marital troubles, she slips back into a depression rivaled only by the period surrounding her suicide attempt while in college. But this wasn’t necessarily inevitable, or if it was, it didn’t have to end the way it did. As a reader, you wonder whether she might have avoided her premature end if she’d had greater access to mental health support, if she hadn’t had to worry so much about money, or if Ted hadn’t been so dismissive in their last phone call. You ruminate, as her mother likely did, whether she would have survived if she’d moved back home to Massachusetts. Of course, everyone is responsible for their own mental wellness, but external factors can make that impossible. Plath’s tragic end can be a reminder to check in on the people you care about.

I would highly recommend Letters Home to anyone even remotely interested in Sylvia Plath’s life, or in the life of a writer in general. The book is certainly dated in some of its language, particularly about people of colour, Jews, and women. With that in mind, and considering its sensitive themes, it is probably not appropriate for early teens or younger. Nonetheless, this book offers a fascinating insight into the life of an author so often overshadowed by her death.

My Ratings (out of 10 As):

Writing: AAAAAAAAAA (10)

Pace: Medium

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Depressed Dystopia: The Program – by Suzanne Young

Dystopian, Romance

Often in dystopian books, one destructive force – usually an evil leader, government or science experiment – is held responsible for the world’s problems. In The Program‘s case, Sloane, the protagonist, blames epidemic teenage depression and the government’s extreme measures to combat it. She dreams of a better life without these issues, convinced that they are the root of her troubles. This is implausible, even in a fictional setting. If mental illnesses were somehow cured and the government was reformed or replaced, wouldn’t other difficulties still exist? Yes, life would be better – but it certainly wouldn’t be perfect. The irony of dystopian novels is their surprising proximity to utopian ones: they describe worlds in which everything would be perfect, if only for the elimination of a handful of difficulties. Sloane’s tunnel vision, perhaps due to the gravity of her circumstances, means that she is unable to look past them. Is this done to simplify the reader’s experience, or to encourage appreciation of their own reality? This naive approach makes for an enjoyable read. People like a black-and-white world, desperate to grasp onto something, or someone, to point the finger at. Although there’s no doubt that I love reading YA dystopias, this is their fatal flaw, a common feature that often defines them as lower-quality books.

Despite this fault, I enjoyed the book, finishing it in days (which is quick for me). Likeable – although complex and confused – characters, an interesting plot line and frustrating developments that, increasingly, create dramatic irony (the reader knows much more about the ‘bigger picture’ than the protagonist and her peers do) impelled me to read on. I struggled, however, to appreciate the extent – even the existence – of the depression experienced by many characters. From what I understand, depression is powerful yet ephemeral. It can’t simply be characterised (as this book does) by someone repeatedly doodling black spirals or vacantly staring into the distance. This lack of description and dimension diminished The Program‘s credibility and intrigue; although this could have been intentional (to make a mystery of the illness or suggest the government’s incompetence to properly cure the illness), I’m not convinced.

On the whole, I loved the characters and was captivated by the plot, but the writing is lacklustre, over-dramatised, and at times ‘world-building’ is flimsy. Read if you’re looking for a standard YA dystopia, but don’t be disappointed by its mediocrity.

My Ratings (out of 10 As):

Plot/Story: AAAAAA (6)

Writing: AAAAA (5)

Pace: Medium/Slow

Buy on Amazon (UK)

Buy at Barnes & Noble (US)

Buy on Amazon (US)