Children

Unfiltered Coming of Age: A Tree Grows in Brooklyn – by Betty Smith

Classic Literature, Fictional Memoir, Historical Fiction, Romance

A Tree Grows in Brooklyn follows Francie Rommely as she grows up, living in an immigrant community in Brooklyn at the turn of the century. Her family are poor, eating a limited diet and keeping to a frugal lifestyle. Like so many in their neighbourhood, Francie’s father takes his Sunday suit to the pawnbroker’s every week, and Francie dreams of someday buying a book for herself rather than borrowing one from the library. A Tree, however, does not urge you to pity the poor or feel guilty about your affluence, nor does it romanticise poverty. Francie’s mother, Katie, exemplifies that dignity and hard work are far more precious to many than free hand-outs or sympathy; the strong woman is driven by the desire to better herself and her family, and would never accept charity. This book is about growing up, facing challenges and hardships, and coming to your own conclusions about life and the world. Francie, in all of her flawed, human self, is intelligent, honest and thoughtful; I dream to be half the person she is and becomes.

When I started A Tree, I was distracted, and was not hooked; I forced myself to read it when I had nothing else to do. The book became more engaging once Francie began to experience difficulties – her mother’s evident favouritism for Francie’s brother, Neeley; the death of her beloved father; the teacher who told her to write about beauty rather than her complex life in poverty. (These mentions do not spoil the book, either, as it’s no thriller – A Tree moves at the natural pace of life and memories, and there are few plot surprises.) I found myself moved by Francie’s realisations about how life is passed on and enriched through inheritance of traits and looks, and was inspired by her experience with her teacher and consequent discarding of all things deemed ‘beautiful’ and quaint. These, coupled with her profound and honest insights about life, make Francie wise, insightful and rounded.

For the most part, she lives an ordinary life. But her experiences are richly depicted so they seem real yet fascinating, reminding me of Francie’s comments on story-writing and ’embellishing’ the truth (although I don’t believe that this is what the author did, especially as the story is semi-autobiographical). Some ideas are naive and idealistic, but they’re also heart-warming, hearkening to the nostalgia and familiarity of the American Dream; I don’t believe there is any real harm in believing in the unlikely, especially as Francie herself (and the author) grows up to be successful.

In the old country, a man is given to the past. Here he belongs to the future. In this land, he may be what he will, if he has the good heart and the way of working honestly at the right things.

If you’re looking for a captivating book, do not read A Tree Grows in Brooklyn; the power of this book is in its authentic characters and the universal experiences they share. This book is equally suitable for a child as for an adult – enjoy!

My Ratings (out of 10 As):

Plot/Story: AAAAAAAA (8)

Writing: AAAAAAAAA (8)

Pace: Medium/Slow

Buy at Waterstones (UK)

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Buy on Amazon (US)

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Diary in a dark world: Never Let Me Go – By Kazuo Ishiguro

Dystopian, Fictional Memoir, Romance, Sci-Fi

I was around two-thirds of the way through Frankenstein when I realised I had barely read in a week. I’d enjoyed the book up until halfway, at which point I often found myself re-reading the same paragraphs, forcing myself to go on. I was in a rut. Whether this was due to the book or my state of mind I’m not sure, but I wanted to get out of it. Looking up at my stack of books for inspiration, I realised almost immediately what I should read. I’d bought Never Let Me Go a while ago after hearing about the book and the even more popular film. It’d been sitting on my shelf for a while, and for no particular reason, I had never got around to reading it.

Never Let Me Go is set in a darkly distorted version of our present – too familiar to be dystopian, but not quite true-to-life enough to be realistic fiction. The book centres on three students’ childhood in a picturesque boarding school and their lives after leaving, following their friendships and romances. Written from the near future, the narrative meanders spontaneously as Kathy H, the narrator, recalls memories from her past. It reminds me of a diary – descriptive, but not boring; somewhat digressive, with one anecdote leading on to the next, but not difficult to follow. Although it’s hard to put my finger on how, the book is definitely well written whilst also remaining highly readable – a rare feat.

Before starting the book, I read the cover’s review excerpts; one described the novel’s subject as ‘ourselves, seen through a glass, darkly.’ (Margaret Atwood, Slate.com) When I began reading, however, I was confused – I struggled to recognise any of our society reflected in the book’s skewed world. It was only as more details were revealed, near the end of the book, that the setting stopped being a distant horrific fantasy, but became conceivable, something that I could imagine happening. I was left with a scary thought, a dismal vision for the world’s future.

Overall, Never Let Me Go is a fantastic book – readable, well-written, and a familiar narrative with thought-provoking themes running beneath the surface. I would recommend the book to those who enjoy books largely about relationships; it is also great for people who like dark, somewhat dystopian stories.

My Ratings (out of 10 As):

Plot/Story: AAAAAAAA (8)

Writing: AAAAAAAA (7)

Pace: Slow/Medium

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A Unique Perspective: Nutshell – by Ian McEwan

Crime Fiction, Fictional Memoir

“So here I am, upside down in a woman.”

Intrigued yet?

When I first heard about the plot, I was skeptical. Although I have faith in McEwan’s writing (the esteemed author has written from various perspectives), a book narrated by a foetus sounded tiresome. However, after hearing the author himself speak about and read from his book at an event, there was no question that I wanted to read it (especially my signed copy!).

A foetus is just beginning to develop his first thoughts when he becomes aware that his mother and her lover (who he later discovers is his uncle) are plotting to kill his father. The book is heavily based on Hamlet, from names (Trudy for Gertrude; Claude for Claudius) to the plot itself, and sometimes even quotes:

Hamlet: “I could be bounded in a nutshell, and count myself a king of infinite space.”

Nutshell: “To be bound in a nutshell, see the world in two inches of ivory, in a grain of sand.”

Admittedly, if I hadn’t been told of this ‘influence’, I wouldn’t have recognised it – I haven’t read Hamlet. I also can’t say whether this is effective as a retelling, or if my lack of knowledge about Hamlet affected my experience. After doing some (limited) research, however, I could certainly see the resemblance.

Perhaps surprisingly, the least realistic aspect of this book isn’t the supreme intelligence of the narrator, but in fact the conspirators’ passionate – murderous, even – anger and resentment towards the offspring’s father. It is never explained why they, and in particular Trudy, feel so much hatred for him. Progressively through the book, I was confused about where the mother’s loyalties lay.

The deficit in character analysis (due to the narrator’s circumstances), which is such a crucial element in McEwan’s novels, lets the book down somewhat. Maybe as a result of this, the characters are largely caricatures – not credible, relatable, real. I only hope this is intended, portraying the foetus’ ignorance and inexperience with people.

Although McEwan’ distinctive rhetoric – including his dry humour – is apparent in the foetus’ voice, this is (for the most part) a welcome aspect. The narrator is not believable, but this does not take away from the book’s narrative or overall realism. Sometimes, however, long rants with seemingly tenuous links to the storyline crop up from nowhere, and it’s clear that these are merely opportunities for the opinionated author to express his strong personal views. An example is when he rants about self-sheltered university students and their destructive politically correct ways. I appreciate that an author’s book is their place to do what they want (including communicating beliefs), but this only works if it is appropriate and not dropped in at random.

Finally, the writing style is confusing at times, with action and commentary jumping around. Perhaps this was for effect, but if even if it wasn’t, it was manageable; it didn’t hurt my reading experience.

All in all, I enjoyed Nutshell – hooked from the first page, it is one of the better books I’ve read this year. Compared to McEwan’s other books (at least those that I’ve read), however, it wasn’t his best. The ambitious choice of narrator mostly paid off, although did make for an unusual (and sometimes lacking) read. Read if you love Hamlet and/or Shakespeare retellings, you’re looking for a ‘quirky’ book, or you’re as obsessed with Ian McEwan as I am!

My Ratings (out of 10 As):

Plot/Story: AAAAAAAA (8)

Writing: AAAAAAAA (8)

Pace: Slow

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Stories of Loss and Redemption: Pieces Like Pottery – by Dan Buri

Short Fiction

Pieces like Pottery is an anthology of seven stories and two poems; each explores an aspect of life, including parenthood and anxiety, in a unique setting.

Before evaluating this anthology, I ought to confess that I did not pick up on the author’s references to biblical stories; in fact, only after I read Buri’s comments on Goodreads did I see that this was the case. Although I noticed the ‘Sorrowful Mystery’ layout, I was unaware of its significance and so didn’t understand the correspondences between stories. Hopefully this doesn’t devalue my review – my perspective as an ‘ignorant’ reader may be a common one, and I believe not considering the author’s intended links and deeper meanings probably didn’t take away from my reading experience.

After a couple of pages, I was reasonably interested in the book – the characters were credible and interesting, if a little two-dimensional, and the story was intriguing. The power of the short story is leaving the reader wanting more, and The Gravesite (the first of nine pieces) is no exception.

The power of the short story is leaving the reader wanting more, wondering what more there is to know and what has been left unsaid.

My favourite of the stories is Expect Dragons; I cried when reading it. It’s an emotive, thought-provoking narrative: a young man is visiting his old high school English teacher for the last time (before he passes away). On the journey to see him, he reflects on his traumatic childhood and the prevalence of his teacher during his formative years; after he arrives, his old teacher imparts one more invaluable lesson to his former student. Although the account was a little clichéd, I empathised a great deal with the characters and felt thoroughly involved in the plot. 

The last story, entitled The Ballad of Love and Hate, featured characters from other stories at different stages in their lives. This was a welcomed contrast to the other pieces in the collection, offering context and intrigue to an otherwise mundane storyline.

The second story, The Dominance of Nurture, is set in a dystopian (although not entirely distant) world, with the core idea being that ‘nurture’ (the way people, especially parents, treat their children) is paramount and ‘nature’ is irrelevant. It’s an interesting concept, and was executed well; it had the potential to be far greater if explored further in a book.

Twenty-two is a moving story about two men going about their daily lives, living with their tortuous pasts. I enjoyed reading it and loved the ending, although it was stilted and cliché at times, particularly in parts with dialogue. An interesting idea, but the weakest in the collection.

Overall, this is a unique collection of provocative stories; you’ll find at least one that you relate to and enjoy – for me, it was Expect Dragons. Buri doesn’t promise a first-class quality of writing or ground-breaking ideas, but what he does, he does pretty well: interesting, ‘relatable’ commentaries on normal life.

My Ratings (out of 10 As):

Plot/Story: AAAAAA (6)

Writing: AAAAA (5)

Pace: Medium/Slow

Unfortunately, as far as I know this book is only available on Kindle.

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Thanks to Dan Buri for providing me with a digital copy of this compelling collection of short stories.